Judith Scott Featured | Inextricabilia | La Maison Rouge | Paris, France

June 23 – September 17, 2017

At first view, there is nothing that might connect an Art Brut sculpture by Judith Scott with a Nikisi divination statue from Congo, an eighteenth-century German reliquary or Annette Messager’s net of votive photographs, and yet despite their origins in different lands, cultures, expressions and eras, there are surprising overlaps in the materials and techniques used, and in the process behind their creation.

Judith Scott, Untitled, 2002, mixed media sculpture, 26 x 11 x 26 inches

All these objects display striking analogies in the entwining, entangling and knotting of hemp cord, hair, strips of leather, gold threads, blades of grass, raffia, rope and fabric.Whether organic, plant or metal, these fibres are ingeniously assembled, stitched, woven or knotted together into inextricable meshes that are also highly symbolic objects. For indeed these resemblances go beyond form and technique: each piece is instilled with healing, purifying or protective powers that will drive away evil, endowing them with a spiritual, religious or magical role. Do their makers believe they will help them communicate with a world beyond the here below?

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