January 19 — February 16, 2019
Opening Reception: Saturday, January 19, 6-9pm
Guerrero Gallery
1465 Custer Avenue
San Francisco, CA 94124
From Guerrero Gallery:
Without a point of reference, Skyline Friendly Organizations could resemble a kind of flowery euphemism for urban planning–a sensibility woven through the work of both Malcolm Kenter and William Scott. More specifically however, Skyline Friendly Organizations and “Inner Limits” are monikers that reappear in Scott’s paintings and drawings, adorning the sides of governmental spacecraft appointed with the task of returning wholesome people back from the dead to populate “Praise Frisco”–a redeveloped utopian San Francisco engineered for the peaceful lives of all its citizens. If that seems like a lot to take in all at once, welcome to the beautiful world created by William Scott. Though vastly different in background and lived experience, artists Malcolm Kenter and William Scott are inherently tied as native sons of San Francisco, and their work calls forth the places that have shaped them–remembering, rehashing and inventing anew.
Whereas William Scott’s artistic output is concerned with envisioning a new San Francisco built on peace and love, Malcolm Kenter’s work functions as a kind of radical preservation–extricating often overlooked elements from San Francisco’s built environment, transposing them through altered scale and materiality, and presenting them in a confounding act that jogs our unconscious for a particular dusty facade we’ve passed hundreds of times yet never taken the time to revel in it’s drab grandeur. Odes to humble landmarks that defy the pomp and circumstance that so often accompany such spaces, the artist’s works force us to examine our surroundings with a renewed sensitivity. In a city so entrenched within a perpetual state of construction and reconstruction, Kenter’s works are lovingly un-romanticized still-lives of a fleeting cityscape–meditations on the subtle beauties that surround.
Born on the autistic spectrum in the Bayview–Hunter’s Point Neighborhood of San Francisco, William Scott has spent much of the past 30 years working at Oakland’s incredibly vital Creative Growth arts center for disabled artists. Preferring the title of architect over artist, Scott’s works are not drawings of an imagined San Francisco but latent architectural renderings intended for the redevelopment of San Francisco and the Bayview specifically as a utopian Gospel-Disneyland full of good people, known as “Praise Frisco.” Actively conflating time, space and even mortality, Scott’s plans are grounded in the philosophy that the pursuit of better buildings and enriched spaces can create new worlds that with them bring peace to earth–beliefs shared by so many visionary architects including Le Corbusier, Frank Lloyd Wright, etc. From reimagining the SFPD / Hall of Justice at 850 Bryant as the “Unique Positive Joyfull Loving Lifestyle Hall of Justice” complete with a diverse police force dancing in the streets, to creating new community centers and community housing in the Hunters Point Shipyard, a site riddled with decades of environmental racism–Scott’s architectural plans and portraiture are not fantasy to be taken lightly, but imaginative designs and pleas for a more just, peaceful and harmonious society within spaces infamous for their legacies of neglect and inequality.
Skyline Friendly Organizations as an exhibition speaks to the issues of how we as artists, residents and adherents to a sense of place adapt as vast forces outside of our control create indelible marks and alterations to the landscapes that have become so woven within our daily lives and our roaming unconscious. Both artist’s visionary work calls forth and questions the fixity of place, and serves as a reminder for all denizens of the Bay Area and abroad of the vast imagination and spiritual flexibility needed to not only sustain the alterations to our lived environments and surrounding landscapes, but to reenvision the places we want to live and see around us.
